I was later surprised to discover that the lyrics of a Kevin Quain song, "Tequila vampire matinée", fit the melody of "Play me a song" perfectly. Since I hadn't written a third verse for "Play me a song" at that point, I borrowed some of Kevin's lyrics:
Tequila vampire matinée | Play me a song | Well, the circus left without me, And there's no work here for clowns. And I'm hiding in Los Muertos, 'Cause Hector's back in town. And a hundred Bloody Marys And I'll be on my way Meet me here at midnight for A vampire matinée. |
Well, the circus left without me, And there's no work here for clowns. And I'm sitting in Grafitti's now, 'Cause Kevin Quain's in town. And a hundred Bloody Marys And I'll be on my way Meet me here at monday night's Mad Bastard Cabaret |
Recording Notes
(see also My Sister's Guitar recording notes)
I played all tracks on "Play me a song":
- Ukulele
- High Guitar
- Fake bass
- Lead vocals
- Harmony vocals
- Maracas
- Kazoo
The guitar I started on was a different one that belonged to my cousin, Ron Anderson's fiancée (at the time, now his wife) Michelle (neé Michelle Phillips).
Anyhow, the guitar went into retirement after I bought my Ovation CS-148. I had already recorded "Play me a song" and "In the Sighs". My friend, Andrew Woolner, has also recently upgraded from his sister's guitar. I thought of the album name when I notice we were both playing our sisters' guitars.
The flavour of the song emerged completely by accident, but I like it. It's an upbeat song to start with, and the flute certainly adds the that beachy, light feel. I kaypoed the guitar up quite a few frets so that it was essentially a six-stringed, bronze-stringed ukulele. Or is that called a mandolin?
There's no reverb on anything except the ukulele, and that may have to change eventually, but I think it's a fine first effort. I didn't expect to suddenly be dancing to it, but that's what happened.
Questions, comments or suggestions about this web site? Email me at aaron.bentley@utoronto.ca